KINGSTON - JAMAICA, APRIL 1978
At the beginning of 1978 in Kingston, there were only two real topics of conversation: the increasing shortage of goods on sale in the island's stores, the consequence of Washington's efforts to bankrupt the Manley government; and the imminent return of Bob Marley to Jamaica, a hero coming back from his self-imposed exile following the attempt on his life in December 1976.

The shooting had been but the most public example of an extraordinary outbreak of murders in Jamaica. Gun law ruled the land. Both political parties, the ruling People's National Party and the right-wing Jamaican Labour Party, had hired ruthless teams of ghetto gunmen - some of them, like JLP's Claudie Massop and the PNP's Bucky Marshall, began to take on an almost superstar status.
 

Bob's flight touched down at Kingston's Norman Manley airport on 26 February 1978; as it coasted to a halt he was aware that this return was only worthwhile as a direct effort to end the escalating violent hatred that was tearing Jamaica apart and terrifying its population.

Already the seeds for an end to this state of affairs had been sown. In London earlier in the month, at the video shoot at the Keskidee Centre, Bob had been approached by gunmen of Jamaica's opposing political parties. They asked Bob if he would agree to take part in a "One Love Peace Concert" to help bring an end to the island's murderous political rivalry. It was to be held in Kingston on April 22, under the auspices of the Twelve Tribes of Israel. Even these 'rankin'' gunmen had become aware that matters in Jamdown were getting out of hand.

But flying in the face of most predictions, the concert was a resounding success, a focus for the media of the western world. Sixteen of the island's most significant reggae acts, including Jacob Miller and Inner Circle, The Mighty Diamonds, Trinity, Dennis Brown, Culture, Dillinger, Big Youth, Peter Tosh and Ras Michael and The Sons of Negus appeared.

To coincide with the event, a new album was released by Bob Marley and The Wailers -- Kaya, a collection of love songs and, of course, an homage to the powers of ganja. During the concert, Peter Tosh harangued Michael Manley and Edward Seaga for persecuting ghetto sufferahs for their fondness for herb, and lit up a spliff onstage.

Bob, however, seemed in a state of transcendental bliss. Instead of attacking the prime minister and the leader of the opposition, he attempted to bring them together. During 'Jamming' his dancing delivery and skat extemporising on the lyrics showed someone taken over by the spirit:

'To make everything come true, we've got to be together, yeah, yeah. And to the spirit of the most high, His Imperial Majesty Emperor Haile Selassie I, run lightning, leading the people of the slaves to shake hands. . . To show the people that you love them right, to show the people that you gonna unite, show the people that you're over bright, show the people that everything is all right.

Watch, watch, watch, what you're doing, because . . . I'm not so good at talking but I hope you understand what I'm trying to say. I'm trying to say, could we have, could we have, up here onstage here the presence of Mr. Michael Manley and Mr. Edward Seaga.

I just want to shake hands and show the people that we're gonna unite . . . we're gonna unite . . . we've got to unite . . . The moon is high over my head, and I give my love instead. The moon is high over my head, and I give my love instead.'

As ghetto gunmen hovered on the edge of the stage, Bob brought the hands of Michael Manley and Edward Seaga together. And held them firmly together.

'Yes, the Peace,' he said later. 'Is really the Youth of Jamaica started it really. Asked me to help and get it together, y'know, knowing that I was one of the victims during the time of the politics. This peace work, it don't stop. . . it never stop . . . We know it never stop. That mean, we the youth got a work to do.'